Wednesday, October 01, 2014 596-SURF , 596-WAVE , 922-BONG , 638-RUSH , 572-SURF(MAUI) , 241-SURF (KAUAI) , 324-RUSH (BIG ISLAND)
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A Moment with Kelly Slater

For over 20 years, 11-time ASP World Champion Kelly Slater's performance and innovation have dominated the discussion in surfing, just as he has won heats, media exposure and worldwide popularity. His first signature video, "Kelly Slater in Black and White" revolutionized traditional on-the-face surfing by introducing a loose, tailfree, above-the-lip approach mixed with elastic tube riding.

Taylor Steele, who started filming Slater for his seminal "Momentum" series videos in the early '90s and still works with him today, remembers a particularly remarkable Slater session he filmed in Barbados for his "Sipping Jetstreams" film. 

The waves were eight feet and really, really hollow," Steele recalls. "Kelly surfed for eight hours and was catching every wave he wanted. He was on fire. He said if he could live that day over and over for a year, he would."

Pat O'Connell was part of the "Momentum" crew and surfed against Slater for years on the ASP World Tour. He is keenly interested whenever Slater releases a new film or Web clip.

"The thing about Kelly is that he doesn't put out too many videos, so he always leaves you wanting more," says O'Connell. "He's also different in that he does things in heats, like that layback barrel against Bruce Irons in Tahiti in 2005 or that crazy backside snap in Fiji last year, that are as good or better than anything you see in videos."

Slater is also unique in that he is the only pro surfer of his caliber who does not have a personal cameraman documenting every session. He has shown that he doesn't need one by filming himself through an array of GoPro cameras and accessories.


"Kelly's always thinking of ways to evolve, stay excited and find new angles," says Steele. "Seeing his point of view with the GoPro in the barrel is amazing."

At first, O'Connell viewed the GoPro movies as more of a novelty. "I used to think GoPro was the Zinka of the new millennium. It would be here today and gone tomorrow," says O'Connell. "But the cameras are incredible, and guys like Kelly get them into unbelievable places that most people have never seen."


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